May 24, 2012

Knit Wit: Autie Carlisle’s Geometric Nightmare Collection

Designer and current Art Institute senior Autie Carlisle may call her new collection Geometric Nightmare, but we think you’ll agree that her transformation of industrial rubber into sculptural knits is nothing short of dreamy.

So why call it a nightmare?

“I knit with a rubber tubing, generally used for mechanics or industrial tools,” explains Carlisle, who wrestled with the unconventional material and paired the results with neoprene and double-knit fabrics.

The resulting 12-garment collection puts an emphasis on geometric shapes and undulating lines. A palette of neutral hues keeps even the most experimental looks in the wearable realm.

Another notable element of Carlisle’s collection: she launched her own Kickstarter project late last year to fund the effort and raised $2,500 from community supporters to help turn her idea into a reality. The project resulted not only in Carlisle’s designs, but also the Constituent Parts fashion show held recently at 111 Minna. Arts of Fashion nominee and fellow Art Institute student Justin Jamison also showed his latest during the show.

Want to see it in person? Carlisle’s collection will be just one of the many taking the stage during the upcoming Art Institute of California-San Francisco fashion show on June 18. Dubbed the Fashion Line Up, it will feature over 100 looks from 18 students.

More San Francisco fashion news

Photography courtesy of Mindo Cikanavicius. Model, Jessica Larez

Runway Recap: Art Institute Fashion Show

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With 10 scenes and nearly 100 looks shown on the runway, it should come as no surprise that there was not a unifying look to Saturday’s Art Institute of California United Streets of Fashion show. Instead, the sheer diversity of items shown was part of the show’s intrigue and drama. From Rachel Richardson’s military-inspired trench, shown above, to the Autie Carlisle’s convertible dress (see below for a photo recap of its on-runway transformation), the looks ran the gamut from ultra-wearable to inventively experimental and everywhere in between.

The well-produced show was not without its own drama, as a quickly-remedied mishap early on with one of the large scale set’s curtains sent gasps up from the VIP audience (who would have been blanketed in a dark drape had it come completely down) and the presence of Project Runway Season 7 contestant Amy Sarabi added a dash of celebrity to the evening. On the runway itself, short (and occasionally scandalously so) hemlines got their fair share of attention, while other reoccurring elements included thick, exposed zippers, corseted tops and pants with either dropped crotches, a harem silhouette or something in between the two. Vampy lingerie by Tia Young, a peacock feather-adorned dance costume designed by Danielle Tilford and donned by a model on point, Cameron Stewart’s bat-wielding male models and a convertible dress that went from basic black to a whirl of orange, red and white in front of the audience added a theatrical element to the show.

Award winners from the evening were Dallas Coulter for first place in the Museum of Performance and Design’s special rock ‘n roll segment, Cameron Stewart for best construction, Leanna Liu for best creativity and design and Justyna Fiuk for best overall impact.

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Cocktail gown by Jessica Cabrera

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