Snap Judgment: American Apocalypse

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Our very-visual, (almost) chatter-free snap judgment of the day: the Karta Stoned cocktail dress, $87, from American Apocalypse, a new online shop headed up by Rachel Lena Esterline and Brooke Candy. Like what you see? Sidle up to this vintage retailer during the launch party at Harputs Union next week.

Good Looks: Coachella Fashion Redux

For this installment of the San Francisco Style Series, we turn to Alex and Amy of Refuses to Label. Fresh from an adventure to Southern California, the two San Francisco style mavens are back in the Bay with images and words from the Coachella music festival, held earlier this month. During the festival, the two oh-so-fashionable photographers captured images of each other and fellow concert-goers boasting personal style that reflects the SF Indie Fashion ethos and love for all things irreverent, independent, creative and visually appealing.

LovelyMan

Coachella is Disneyland to modern hipster kids as we know them. From the music (Passion Pit, anyone?) to the sea of gladiator sandals and men in skinny cutoffs, it was easy to feel lost in an Urban Outfitters spring ad campaign. That is, until you look closer. These photos represent, to us, the unique relationship that can be created between adorner and garment when both are grounded in imagination and individuality. We chose the subjects based on the uniqueness and substance of the garments worn. Each of the people pictured had both a story to tell and personal hands-on involvement in creating what they chose to wear: a handmade feather headpiece, mother’s re-worked vintage, a tank dress torn to pieces by hand, sophisticated briefs under a sheer lace mini and graphic body art that compliments their panache. These particularly groovy kids all seem to get it: “come as you are, dressed as you are, dancing as you are.”

- Amy and Alex, Refuses To Label

Lace with briefs

LaceBrief

All vintage

AllVintage

Handmade

Handmade

Handmade headpiece

Native

Simple. Chic. Comfortable.

SimpleChic

Red never hurts.

Red

Tattoos may hurt, but then you forget.

Tats

Amy

Amy

Alex

Alex

Photography by Alex Keenum and Amy Soderlind

More from the San Francisco style series



In the Know: Nous Savons

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If there’s one thing nous savons (translation: we know en francais), it’s that we’re enamored of the reconstructed shirts, vests and accessories from local label Nous Savons.

Designer Jocelyn Ngyuen’s creations often play with traditional menswear motifs. In her inventive hands, the sleeves from button down shirts and vests become ruffles and flower-like fabric adornments on reworked versions of the originals. Instead of staying stuck to suits, lapels become bold necklaces bound with heavy chains. You’ll find more chains waiting on the jewelry Ngyuen makes using a mixture of vintage and new metals and charms.

Want to peruse it all in person? You’re in luck. A Nous Savons Trunk Show takes place tonight from from 6-10 p.m at TAXI/CDC’s Collective boutique. During the event, all Nous Savons and TAXI/CDC merch is 25 percent off (we also hear you can save an additional 10 percent by shopping early from 6-7 p.m.).

More fashion and shopping events

Daisy’s Vintage Sunglasses Collection Launches

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It may not feel like there are many reasons these days to break out the sunglasses, what with all the dreariness the city’s been experiencing lately. But don’t think we didn’t notice the sun peeking out today for a few good hours this afternoon. We’d like to think it was an occurrence in honor of the new sunglasses collection from local label Daisy’s Vintage.

Debuting today at Collective boutique (local headquarters for Taxi CDC) on Valencia, the collection includes plastic and metal vintage frames for both women and men (guys’ styles will be dubbed Eddy’s, to make the boys feel more butch) from designers such as Pierre Cardin, Ray Ban, Diane Von Furstenberg, Lacoste and Christian Dior.

Daisy’s Vintage founder Nancy Sepaher hunts down the choicest frames she can find from her vintage sources and works with a local optometrist to replace and update the lenses.

“I find that vintage sunglasses were mostly made with great quality materials, and produced in USA, France, Austria or Italy. They are all authentic vintage frames from the 60′s, 70′s, 80′s, and then I work with my optometrist, who puts in brand new UV lens. I sometimes choose black lenses or colors such as yellow or pink to make them more funky,” Sepaher tells us.

We hear prices range from $45 to $150, and the higher end frames will be available for purchase in the Daisy’s Vintage online shop in early March. Until then, you’ll have to scoot on over to Collective (1453 Valencia St.) to peep them in person.

We’d recommend going before the rains return. Which means you should go, like, right now.

More San Francisco vintage fashion….

Good Looks: Runway Reinterpreted

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Part of the ongoing Good Looks style series, we asked San Francisco stylist and blogger Catie Nienaber of Cuffington to take $20 on a hunt for spring wearables at local thrift and vintage shops, combine the spoils with items from her own trove of stylish gear and deliver the fruits of the adventure to us in photographic form. We’re thrilled with the results and hope this provides inspiration for your spring wardrobe foraging. Styling and text by Catie Nienaber. Photography by JT Paradox of The SF Style. Model: Kristen Holden.

And then came spring. Out of a maw of chunky Max Headroom sunglasses, thick black Wolfords and burgundy fur snoods it charged: shiny, breezy and awash in technicolor romance.  In culling together a sample of trends for the presentation below, the objective was simple: find the reoccurring elements from the spring collections, create looks based on those common threads and do it on the cheap. Armed with a few dollars and a long list of visual references, I sought out items at local second-hand stores around San Francisco that were clued in to spring 2010.

The purpose was not to mindlessly replicate, but to find objectives within the runway looks that spoke to me. Rare is it that I see someone – either a person on the street or a model stomping down the runway – and adore every detail of their ensemble from head to toe. My argument is to zero in on the parts that speak to you, seek them out and make them your own. This time of year is prime for pulling new pieces from thrift stores to wear for spring, so get out there and beat the rush. These outfits were pulled together from touchstones that showcase some of the main ideas of the coming season, and styled with pieces already on hand from seasons past.

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Color blocking, highly visible at Marc by Marc Jacobs. One could argue that this look is not color blocking in the true sense of the word because print, albeit small print, is involved in every piece of this outfit. The most straight-forward way to color block is to pair two warm tones with a cool tone (or vice versa) or a look that is more or less tone-on-tone with one piece, like a shoe or belt, that is from a strikingly different color family. Blouse – thrifted at Out of the Closet; Skirt – Lanvin; Necklace – thrifted in Chicago; Belt – Missoni; Shoes – Christian Louboutin.

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Long sleeved dresses with short hemlines, as seen at Balenciaga. I find a long sleeve dress for spring interesting because it really works in a town like San Francisco, a place notorious for unpredictable chilliness. Also, a long sleeved short dress is more versatile and can slip in and out of multiple seasons – more bang for your buck. This look was styled with mod sensibilities, but that’s only one of many ways to wear it. See our black and white, glittery nighttime look for another take on the long sleeved short dress. Dress – thrifted at Out of the Closet; Headband – Nordstrom; Shoes – Salvatore Ferragamo; Stockings – model’s own; Necklace, worn as belt – thrifted in Portland.

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Safari/Ikat/Batik-inspired prints, as seen at Dries Van Noten and Gucci. These prints made a huge splash last spring, but are still very current. Go the traditional route of accessorizing your print skirt or dress with wood and beads, or take a different turn and throw on something metallic. As far as footwear goes, booties with no socks are great transitional pieces. Skirt, vest, blouse – all thrifted at Out of the Closet; Belt – Eugenia Kim; Scarf – Missoni; Jewelry – H&M; Clutch – Painted Bird; Booties – Proenza Schouler.

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Lace and neon brights, as seen at Louis Vuitton and Proenza Schouler. It wouldn’t be spring without lingerie-inspired lace. Pairing layers of lace with small doses of bright florescent colors (especially green) takes the delicate whimsy of Parisian flapper chic and gives it an exciting jolt of modernity. Here a vintage lace bra is layered over slips, and the cardigan’s bright chartreuse detailing gives it a controlled pop. Bra – Dollhouse Bettie; Slips – thrifted in Portland; Cardigan – Anthropologie; Bag – stylist’s own; Necklace – H&M; Ring – stylist’s own; Shoes – Out of the Closet.

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Mixing neutrals and pinks, as seen at Celine and Lanvin. Creams and tans combined with every hue of rose. Mixing tones is a go because they all exist on the same spectrum. Combining softer textures (tulle, silk, lace, cotton, satin) and adding a dash of sparkle doesn’t hurt a bit. Blouse and skirt – Out of the Closet; Necklace – Fenton; Socks – Cotton Sheep; Shoes – Judith Leiber; Bag – stylist’s own.

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A black and white jacket for evening, as seen at Givenchy. Last year the slim fitting motorcycle jacket arrived as the unexpected evening topper du jour. This spring, try something in black and white, in stripes or solid blocks. Works for day, too. Another daytime jacket option that still holds water is something military- or marching band-inspired. Jacket – Wasteland; Dress – Painted Bird; Bag – Crossroads Trading Co.; Ring – Burberry; Shoes – Christian Louboutin.

San Francisco stores visited for this story: Out of the Closet, Painted Bird, Wasteland, Crossroads Trading Co., Dollhouse Bettie, Cotton Sheep.