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Spring Fling: 4 Spring Staples

March 11th, 2010

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It’s officially mid-March, and we’re finally daring to dream of spring. That means easy-going dresses, simple accessories, bright bags and go-everywhere shoes with lighter sensibilities than our winter-staple boots.

Here are local sources for each.

From top: Maggie dress, She-Bible; one-off Mason yellow clutch, ReMade USA; David Clarkson Point Reyes Hoops, available at Gravel and Gold; buckle strap heels by f-troupe, available at Candystore Collective.

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Daisy’s Vintage Sunglasses Collection Launches

February 5th, 2010

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It may not feel like there are many reasons these days to break out the sunglasses, what with all the dreariness the city’s been experiencing lately. But don’t think we didn’t notice the sun peeking out today for a few good hours this afternoon. We’d like to think it was an occurrence in honor of the new sunglasses collection from local label Daisy’s Vintage.

Debuting today at Collective boutique (local headquarters for Taxi CDC) on Valencia, the collection includes plastic and metal vintage frames for both women and men (guys’ styles will be dubbed Eddy’s, to make the boys feel more butch) from designers such as Pierre Cardin, Ray Ban, Diane Von Furstenberg, Lacoste and Christian Dior.

Daisy’s Vintage founder Nancy Sepaher hunts down the choicest frames she can find from her vintage sources and works with a local optometrist to replace and update the lenses.

“I find that vintage sunglasses were mostly made with great quality materials, and produced in USA, France, Austria or Italy. They are all authentic vintage frames from the 60’s, 70’s, 80’s, and then I work with my optometrist, who puts in brand new UV lens. I sometimes choose black lenses or colors such as yellow or pink to make them more funky,” Sepaher tells us.

We hear prices range from $45 to $150, and the higher end frames will be available for purchase in the Daisy’s Vintage online shop in early March. Until then, you’ll have to scoot on over to Collective (1453 Valencia St.) to peep them in person.

We’d recommend going before the rains return. Which means you should go, like, right now.

More San Francisco vintage fashion….


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Fashion from Art: Joui Turandot’s Vagadu

February 3rd, 2010

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There are the fashion designers who create clothing that doubles as art, and then there are artists who create using fashion as their chosen medium. San Francisco’s Joui Turandot is decidedly one of the latter.

While her studio on the border between the Mission and Potrero Hill is dotted with fashion magazines and images torn from their pages, the real inspiration for the larger-than-life gowns and hand-sewn vests she creates under the label Vagadu has very little to do with what’s heading down the runways of today.

Instead, Turandot, who is opening her studio up this weekend for a sale event, draws inspiration for her latest work from her grandfather, the Greek-born artist Jean Varda, a well-known figure in the Bay Area arts world during the 1950’s and 60’s who counted Henry Miller, Anais Nin and Zen Buddhism philosopher Alan Watts among his close friends.

“He really lived life as art and never bought anything new, was poor as dirt, but managed to live the most incredibly rich life that anyone could have just because he brought so much to everyone who knew him,” says Turandot, who never met her grandfather but has spent years researching his life and is currently trying to launch a retrospective of his work.

While Varda was widely known for collages incorporating paper, textiles, fabrics and paint, Turandot relies on reclaimed fabric as her medium.

“I really source him a lot, not only in his sense of color choice, shapes, the way he uses shapes for the feminine form, but also really in the sense of taking these left over things,” she says.

Just as her grandfather used scraps and found materials for his work, Turandot employs only fabrics and textile scraps cast-off by other designers and retailers. The one-of-kind pieces that result are structurally complex, often involving multiple parts that can be worn together or separately, yet they manage to be disarmingly whimsical at the same time.

A series of vests adorned with hours and hours’ worth of hand-sewn tucks and folds are among the most versatile and universally wearable items hanging on her studio’s racks at the moment, while the dresses and gowns beg for a stage all their own – or at least the kind of wearer who’s not afraid of an audience.

The images below reveal just how different Turandot’s gowns can look depending on the viewer’s angle.

Want to check out all the angles for yourself? Head to the Vagadu Studio Sale this weekend, 11 a.m. to 5 p.m., 375 Alabama St. #490, www.vagadu.com. New clothing by designer Giselle Shepatin will also be on display.

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Good Looks: Runway Reinterpreted

January 26th, 2010

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Part of the ongoing Good Looks style series, we asked San Francisco stylist and blogger Catie Nienaber of Cuffington to take $20 on a hunt for spring wearables at local thrift and vintage shops, combine the spoils with items from her own trove of stylish gear and deliver the fruits of the adventure to us in photographic form. We’re thrilled with the results and hope this provides inspiration for your spring wardrobe foraging. Styling and text by Catie Nienaber. Photography by JT Paradox of The SF Style. Model: Kristen Holden.

And then came spring. Out of a maw of chunky Max Headroom sunglasses, thick black Wolfords and burgundy fur snoods it charged: shiny, breezy and awash in technicolor romance.  In culling together a sample of trends for the presentation below, the objective was simple: find the reoccurring elements from the spring collections, create looks based on those common threads and do it on the cheap. Armed with a few dollars and a long list of visual references, I sought out items at local second-hand stores around San Francisco that were clued in to spring 2010.

The purpose was not to mindlessly replicate, but to find objectives within the runway looks that spoke to me. Rare is it that I see someone – either a person on the street or a model stomping down the runway – and adore every detail of their ensemble from head to toe. My argument is to zero in on the parts that speak to you, seek them out and make them your own. This time of year is prime for pulling new pieces from thrift stores to wear for spring, so get out there and beat the rush. These outfits were pulled together from touchstones that showcase some of the main ideas of the coming season, and styled with pieces already on hand from seasons past.

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Color blocking, highly visible at Marc by Marc Jacobs. One could argue that this look is not color blocking in the true sense of the word because print, albeit small print, is involved in every piece of this outfit. The most straight-forward way to color block is to pair two warm tones with a cool tone (or vice versa) or a look that is more or less tone-on-tone with one piece, like a shoe or belt, that is from a strikingly different color family. Blouse – thrifted at Out of the Closet; Skirt – Lanvin; Necklace – thrifted in Chicago; Belt – Missoni; Shoes – Christian Louboutin.

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Long sleeved dresses with short hemlines, as seen at Balenciaga. I find a long sleeve dress for spring interesting because it really works in a town like San Francisco, a place notorious for unpredictable chilliness. Also, a long sleeved short dress is more versatile and can slip in and out of multiple seasons – more bang for your buck. This look was styled with mod sensibilities, but that’s only one of many ways to wear it. See our black and white, glittery nighttime look for another take on the long sleeved short dress. Dress – thrifted at Out of the Closet; Headband – Nordstrom; Shoes – Salvatore Ferragamo; Stockings – model’s own; Necklace, worn as belt – thrifted in Portland.

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Safari/Ikat/Batik-inspired prints, as seen at Dries Van Noten and Gucci. These prints made a huge splash last spring, but are still very current. Go the traditional route of accessorizing your print skirt or dress with wood and beads, or take a different turn and throw on something metallic. As far as footwear goes, booties with no socks are great transitional pieces. Skirt, vest, blouse – all thrifted at Out of the Closet; Belt – Eugenia Kim; Scarf – Missoni; Jewelry – H&M; Clutch – Painted Bird; Booties – Proenza Schouler.

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Lace and neon brights, as seen at Louis Vuitton and Proenza Schouler. It wouldn’t be spring without lingerie-inspired lace. Pairing layers of lace with small doses of bright florescent colors (especially green) takes the delicate whimsy of Parisian flapper chic and gives it an exciting jolt of modernity. Here a vintage lace bra is layered over slips, and the cardigan’s bright chartreuse detailing gives it a controlled pop. Bra – Dollhouse Bettie; Slips – thrifted in Portland; Cardigan – Anthropologie; Bag – stylist’s own; Necklace – H&M; Ring – stylist’s own; Shoes – Out of the Closet.

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Mixing neutrals and pinks, as seen at Celine and Lanvin. Creams and tans combined with every hue of rose. Mixing tones is a go because they all exist on the same spectrum. Combining softer textures (tulle, silk, lace, cotton, satin) and adding a dash of sparkle doesn’t hurt a bit. Blouse and skirt – Out of the Closet; Necklace – Fenton; Socks – Cotton Sheep; Shoes – Judith Leiber; Bag – stylist’s own.

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A black and white jacket for evening, as seen at Givenchy. Last year the slim fitting motorcycle jacket arrived as the unexpected evening topper du jour. This spring, try something in black and white, in stripes or solid blocks. Works for day, too. Another daytime jacket option that still holds water is something military- or marching band-inspired. Jacket – Wasteland; Dress – Painted Bird; Bag – Crossroads Trading Co.; Ring – Burberry; Shoes – Christian Louboutin.

San Francisco stores visited for this story: Out of the Closet, Painted Bird, Wasteland, Crossroads Trading Co., Dollhouse Bettie, Cotton Sheep.


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A Bunch of Stiffs: Inside Mannequin Madness

January 5th, 2010

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Ever since a certain little film released in 1987 brought us Kim Cattrall at her most demure and the glorious fictional creation that was Hollywood Montrose, we have had a certain appreciation for stiffs of the sartorial sort.

So we were quite interested to discover that the Bay Area is home to its own storehouse of mannequins called Mannequin Madness. Along with new mannequins and mannequin parts for sale (including some bald chicks with unsettlingly large bazoombas), the East Bay company sells cheaper secondhand options sourced from retailers undergoing remodeling projects or store closures. Mannequins and dress forms are also available for rental (prices start at $85/week).

Perhaps most intriguing, though, is the company’s willingness to rent not only its mannequins, but also its Oakland warehouse space to artists, fashion designers and others seeking the eerie ambiance only a legion of stiffs can provide for films, photo shoots and art projects.

The possibilities for creative expression seem endless (we think you can do better than Andrew McCarthy). And besides, where else can you find a crew that won’t talk back?


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