Knotty Girl: Louisa Parris Launches Accessories

The Zeppelin scarf by Louisa Parris

San Francisco’s Louisa Parris has expanded beyond eveningwear to launch her first-ever accessories collection. Featuring scarves and made-to-order hats, the latest from Parris continues the designer’s love affair with bold, sophisticated graphics.

Featuring thick black stripes and blocks contrasted with muted hues of blue, sea foam green and cream, the silk twill scarves come in two sizes ($195-$275) and draw their inspiration from the geometric designs gracing hot air balloons Parris watched while growing up in Bath, England. Providing a little inspiration of their own for their wearers, each scarf is named for a type of knot.

Upping the ante is a matching hat collection produced in collaboration with milliner Laela Barnard, whom Parris tapped to turn each of her five scarves into sculptural, made-to-order headpieces.

The Zeppelin Disc Hat by Laela Barnard for Louisa Parris

Want to know more about the designer? Check out our previous coverage of Louisa Parris here.

Photography courtesy of Louisa Parris

More San Francisco fashion news

Runway Recap: Lovesick 4

Extravagant headdresses, alt-minded apparel and lots of skin hit the rose petal-strewn runway earlier this week during the fourth installment of local designer Alexandria Von Bromssen’s annual Lovesick fashion show at 111 Minna.

The show featured designers and labels von Bromssen, Tamo Designs, Silver Lucy, My Dirty Dishes, Miss Velvet Cream, RAG-DOLL Designs by Larissa Verdussen, Ms G Designs, Fluidance and Jasmin Zorlu Millinery.

Below, a recap of the scene and the looks presented to the Monday night crowd.

Photography courtesy of Christophe Tomatis and Sqwik Studios (images three, fix and six).

We Came, We Saw, We Shopped: The Edwardian Vendor Bazaar

Before the annual Edwardian Ball festivities got underway last weekend at the Regency Ballroom, we had the chance to check out the vendors on Saturday afternoon. For those of you unfamiliar with the Ball, it is inspired by the creations of Edward Gorey, whose books and illustrations many consider to be a major influence on gothic fashion. Let’s just say this was not your average vendor fair.

The decor was reminiscent of a Tim Burton movie and the costumes were amazing: some classy, some borderline shocking (the pony tail necklace, for example), but all were very unique. What’s more, this Edwardian extravaganza offered up rare shopping opportunities, albeit many of them custom creations not well-suited for the budget-minded. Whether you came to shop or stare, the vendor fair was only a teaser for the equally as fanciful night ahead.

Below, some of the people and apparel we met at the event:

Steven Raspa

Purevile

Minerava's Antennae

Sayuri Designs

Aldebaran Organic Forms

Gelareh

Bronica Blue and Mo Awobo

The Kaplen family

Chris Anderson show's off the ponytail necklace from Purevile

Miss Velvet Cream and Audette Sophia

Photography by Christophe Tomatis

Snap Judgment: Jasmin Zorlu Love Turban

Our very-visual, (almost) chatter-free snap judgment of the day: inspired by Swedish paper Valentines, the oh-so-festive and entirely handmade, one-of-a-kind red and maroon Love Turban, $278, made of fur felt by San Francisco-based milliner Jasmin Zorlu.

More snap judgments

Photography courtesy Karly Larson for Jasmin Zorlu

Style with Substance: Growing Sustainable Brands in San Francisco


How do you grow a fashion brand on sustainability? This question was the purpose of the E Factor Sustainability in Fashion panel discussion at the Flood Building last week.

Five panel members took the stage on Wednesday to talk about their brands and sustainability. Sally Rosen of Discarded to Divine fosters sustainability by allowing people to give clothing a second life through charitable student competitions. Joslin Van Arsdale researches the environmental impact of garments sold in Eco Citizen, and Jasmin Zorlu sews her headwear from found fabrics to ensure that her production process doesn’t create unnecessary waste.

Together these women, along with Platinum Dirt founder Dustin Page, who produces leather jackets from reclaimed vintage auto upholstery, are representatives of true sustainable fashion here in San Francisco, according to keynote speaker Connie Ulasewicz of San Francisco State University.

“People, processes and the environment must be considered at every step to build a sustainable brand,” she says.

There was a considerable amount of inspiring and useful information that we took away from this event. No matter the amount of experience you have in the San Francisco fashion industry, Wednesday’s words from the wise will set you in the right direction. The following are tips we think will be useful for any sustainable fashion brand’s future:

  • Challenge your current business model with the following: people, process and environment. How can your brand be better and more green through these elements?
  • Having trouble connecting with your customer? Sell and market your  products through your brand story to give them a bigger cause to want to follow.
  • Sourcing, sewing and selling can be a lot for just one person. We understand that nobody knows your brand like you do, but perhaps an intern can take on creative marketing tasks while adding fresh perspective to the brand identity.
  • If you’re just starting out in the fashion design field, it’s helpful to know that having a brand is just the first step to building a brand. Brand building includes market plans, consumer following, support and commitment (to name a few).
  • Due to the number of times commitment and support were referred to during the conversation, we’ll mention it once more. Building and maintaining a fashion brand doesn’t happen overnight and, in some cases, not even within the first year. Don’t get down on yourself if things don’t work out as quickly as you think they should. Instead, think through your products and try to recreate some invigorating changes.